2017/1 – #True
Browsing 2017/1 – #True by Subject "audiovisual essay"
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- ArticleCritique, protest, activism, and the video essayLee, Kevin B. (2017) , S. 271-278Video essays curated for the Spring 2017 issue of NECSUS are introduced as a way to view audiovisual film criticism and scholarship in a more explicitly social and political context. The author finds themes of social critique, protest, and activism underrepresented in audiovisual essay work originating from both popular video sharing platforms and from academia. The author interrogates the nature of his own interest in these themes as related to his background as a cinephile, promoting the question of how a cinephile might become political as well as how the production of video essays could be construed as a political activity.
- ArticleMy crush was a superstarGalibert-Laîné, Chloé (2017) , S. 279-281
- ArticleOutbreak of violent protests prompts a state of emergencyTHE ANTI-BANALITY UNION (2017) , S. 283-285
- ArticleProblems with the gendered POV shot in LILYA 4-EVERSandusky, Kiera (2017) , S. 289-291
- ArticleSnake oil in N—–townBoone, Steven (2017) , S. 287-288
- ArticleTaking stock: Two decades of teaching the history, theory, and practice of audiovisual film criticismWitt, Michael (2017) , S. 35-59This article takes stock of a long-running pedagogical experiment in audiovisual film studies. The author first introduced an audiovisual essay assessment component for an undergraduate film analysis course at the University of Roehampton in 1997. He subsequently designed and introduced a course devoted entirely to the history, theory, and practice of audiovisual film criticism and analysis. He reflects here on his experience of delivering this course over many years, outlines the theoretical rationale that underpins it, and presents a selection of the audiovisual essays made by some of the approximately 600 students who have now completed it.