Article:
Desktop documentary as scholarly subjectivity: Five approaches

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dc.creatorLee, Kevin B.
dc.creatorAvissar, Ariel
dc.date.accessioned2023-07-17T07:14:15Z
dc.date.available2023-07-17T07:14:15Z
dc.date.issued2023
dc.description.abstractDesktop documentary has gained increasing prominence both within and beyond cinema and media scholarly practice. The recent ascendance of desktop filmmaking prompts an occasion to reflect on the current state of the practice. The five original desktop videos presented in this section offer such an occasion for reflection, particularly with regard to the distinguishing qualities and affordances of desktop documentary and desktop subjectivities for cinema and media scholarship.en
dc.identifier.doihttp://dx.doi.org/10.25969/mediarep/19737
dc.identifier.urihttps://mediarep.org/handle/doc/20949
dc.languageeng
dc.publisherNECS
dc.publisher.placeMarburg
dc.relation.isPartOfissn:2213-0217
dc.relation.ispartofseriesNECSUS_European Journal of Media Studies
dc.rightsCreative Commons Attribution Non Commercial No Derivatives 4.0 Generic
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectaudiovisual essayen
dc.subjectdesktop documentaryen
dc.subjectdesktop subjectivityen
dc.subject.ddcddc:791
dc.titleDesktop documentary as scholarly subjectivity: Five approachesen
dc.typearticle
dc.type.statuspublishedVersion
dspace.entity.typeArticleen
local.coverpage2023-09-18T16:46:49
local.identifier.firstpublishedhttps://necsus-ejms.org/desktop-documentary-as-scholarly-subjectivity-five-approaches/
local.source.epage280
local.source.issue1
local.source.issueTitle#Ports
local.source.spage276
local.source.volume12

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